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Salto in Lungo

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6/7/8.12

Ingresso 5€

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6.12
ore 21.15

auditorium – mole vanvitelliana

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Allons Enfants di Giovanni Aloi

Durata 95’

alla presenza del regista

Passato a Venezia 2020, sezione Orizzonti, “La troisiéme guerre” (questo il titolo originale) è un’opera dannatamente contemporanea. Giovanni Aloi ci racconta le giornate di un gruppo di militari impegnati nel pattugliamento delle strade di Parigi, alla ricerca di ogni possibile traccia di imminenti attacchi terroristici. Tensione strisciante, paranoia, tempo sospeso: condizione spossante che inghiotte tempo e vite. Il film ci porta in una dimensione in cui il futuro è una minaccia, il passato una condanna e il presente una corda sospesa sopra al vuoto da percorrere trattenendo il fiato, passo dopo passo, con sangue freddo e cuore caldo. Non lasciatevi ingannare dalle divise e dai fucili militari, “Allons enfants” parla dei nostri giorni, della vita di ognuno, del tempo presente.

(Alessio Galbiati)

Giovanni Aloi nasce Milano nel 1984. Studia cinema e critica all’Università di Bologna e “Arts plastiques” all’Università Paris VIII, per poi dirigere i mediometraggi documentari La Promessa (2010) e Lives (2011). Si dedica inoltre alla regia di diversi video musicali. Nel 2013 presenta alla Shefeld Doc/Fest Videotheque il suo primo lungometraggio documentario, “Pan Play Decadence”, attualmente distribuito dalla “Future Artists” in UK e Irlanda e vincitore del premio speciale del documentario al “Festival Mundial de Cine Extremo Vèracruz”. In seguito si afferma nel cinema corto di finzione e non, grazie a cortometraggi quali: A passo d’uomo (2013), premiato a Corto Dorico 2013 e in nomination ai David di Donatello 2014; E.T.E.R.N.I.T. (2015), selezionato al Festival del Cinema di Venezia; Tierra Virgen (2016), premio Nie Wiem a Corto Dorico 2016. Allons Enfants è il suo primo lungometraggio di finzione..

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7.12
ore 19.00 – 21.15

auditorium – mole vanvitelliana

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19.00

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Due di Filippo Meneghetti

Durata 95’

In collegamento video il regista

L’opera prima di un regista italiano viene selezionata nella short-list Oscar, candidata nientepopodimeno che per la Francia. Ad un cinefilo basterebbe questa informazione per correre a vedere Due di Filippo Meneghetti, ma a noi ha strabiliato la padronanza del ritmo racconto – quasi un thriller sentimentale -, la musicalitá dei suoni – persino la centrifuga della lavatrice crea stupore – e la delicatezza e la profondità degli sguardi delle anziane protagoniste innamorate. Barbara Sukowa e Martine Chevaillier, Nina e Madeleine. Vicine di casa solo per finta, perché l’amore omosessuale e in età adulta è un tabù sociale fortissimo ancora nel 2021

(Dario Bonazelli)

Sceneggiatore e regista, Filippo Meneghetti nasce a Padova nel 1980. Interessato alla scrittura cinematografica fin dall’adolescenza, comincia il suo percorso artistico trasferendosi a New York, dove lavora diviso tra teatro e cinema indie. Tornato in Italia, si diploma in regia cinematografica a Cinecittà. Nel 2008, dirige per il sindacato CGIL Maistrac: lavorare in Cantiere, documentario sul mondo del lavoro edile. Collabora con il regista Stefano Bessoni alla stesura del soggetto del film Imago Mortis (2009). Trasferitosi a Parigi, dirige cortometraggi di grande successo quali L’Intruso (2012), premiato a Corto Dorico 2012, e La Bête (2018), selezionato alla Mostra del Cinema di Venezia. Con Due, suo film d’esordio, è vincitore del Premio César per la migliore opera prima e viene candidato a rappresentare la Francia nella corsa all’Oscar per il miglior film straniero.

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21.15

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Il Legionario di Hleb Papou

Durata 81’

Alla presenza del regista e dello sceneggiatore Emanuele Mochi

Piccole e grandi “famiglie” in gioco, una multiculturalità profonda e feconda, non più eccezione ma strato pulsante delle nostre città: è su questo esemplare equilibrio che si costruisce un film come Il legionario, senza pietismi di sorta, senza mai puntare il dito, senza mai prendere posizione. Una scrittura solida e consapevole “accende” un’opera prima dalla regia sorprendentemente autorevole nel muoversi tra pochi totali e molti, intensissimi piani ravvicinati: i suoni e i colori degli ambienti reali emergono, astraendo al contempo azioni e protagonisti. Che si trasformano così, senza forzatura alcuna, in una partitura visiva universale in grado di “parlare” per tutte le periferie del mondo.

(Luca Caprara)

Hleb Papou nasce nel 1991 a Minsk, Bielorussia, per poi trasferirsi in Italia nel 2003. Il suo primo cortometraggio The Red Forest (2012) è selezionato allo Short Film Corner del Festival di Cannes. Laureatosi al DAMS presso l’Università Roma Tre, viene ammesso al corso di regia del Centro Sperimentale di Cinematografia. Nel 2017 il suo corto di diploma Il Legionario (successivamente ampliato in un lungometraggio), è presentato alla Settimana Internazionale della Critica alla Mostra del Cinema di Venezia, dove il regista tornerà l’anno successivo per presentare il corto L’Interprete (2018), anche vincitore del premio Mutti promosso dalla Cineteca di Bologna. Il Legionario è la sua opera prima, già premiata a Locarno dove Papou ha vinto il premio come miglior regista esordiente nella sezione Cineasti del Presente.

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8.12
ore 19.00 – 21.15

auditorium – mole vanvitelliana

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19.00

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Piccolo Corpo di Laura Samani

Durata 89′

In collegamento video il regista

Quello di Agata è un viaggio verso l’ignoto, intrapreso contro ogni avversità, per salvare l’anima di quel bambino che, nato morto, non può essere battezzato ed è dunque condannato al limbo. Perché in un remoto santuario è possibile il miracolo, condurre quel piccolo corpo a emettere un respiro, quell’unico alito di vita che ne garantirebbe la redenzione. Laura Samani racconta una storia di fede (anche in se stessi), ambientata ai primi del Novecento in un’Italia nordorientale che si fa paesaggio-specchio del tormento psicologico della protagonista. E mette in scena un road movie contaminato col racconto fantastico e mitologico, una favola gotica su una “missione impossibile” in cui la religione, come emanazione magica, si muove in una dimensione ibrida, tra incantesimo e superstizione. Nel ritratto di vita arcaico che recupera e tramanda tradizioni, usanze e, naturalmente, un linguaggio, si innesta un’indagine di taglio quasi antropologico che ragiona sul femminile e la sua corporalità, sull’inscindibile, viscerale rapporto che lega una madre alla sua creatura. E su come la presa di coscienza di un ruolo diventi non solo fonte di coraggio e intraprendenza, ma anche presupposto di una rivendicazione.

(Luca Pacilio)

Laura Samani nasce nel 1989 a Trieste. Dopo la laurea in Filosofia e Letteratura presso l’Università degli Studi di Pisa, studia regia al Centro Sperimentale di Cinematografia di Roma. Il suo cortometraggio di diploma, La Santa che Dorme (2016), è presentato in anteprima a Cannes Cinéfondation e ottiene selezioni e premi in diversi festival internazionali (tra cui Corto Dorico). Nel 2018 lavora per l’Associazione Maremetraggio, conducendo il video-laboratorio partecipativo Città Visibile, finanziato da Siae Bando Sillumina – Periferie Urbane di Valmaura, primo laboratorio di questo tipo mai condotto a Trieste e dedicato al coinvolgimento di adolescenti che vivono nella marginalità sociale con l’obiettivo di realizzare un documentario auto-narrativo. Piccolo Corpo, è il suo primo lungometraggio.

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21.15

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Atlantide diYuri Ancarni

Durata 104’

Alla presenza il regista

“Abbiamo costruito il film senza sceneggiatura per stare dietro ai ritmi dei ragazzi che corrono veloci”. Yuri Ancarani, regista di Atlantide e figura ibrida e poliedrica nella scena artistica e cinematografica internazionale, così racconta il suo film documentario presentato a La Biennale di Venezia, in Concorso nella sezione Orizzonti. Primo lungometraggio di un artista visivo e video visivo che giunge alla Mostra del Cinema con un’opera prima da lui scritta, fotografata, montata e diretta dove si narra la storia di Daniele, un ragazzo che vive a Sant’Erasmo, frammento di terra emersa ai margini della laguna. Flusso d’immagini e storie ai margini, accompagnate dalla Trap di Sick Luke.

(Chiara Malerba)

Video artista e filmmaker, Yuri Ancarani nasce a Ravenna nel 1972. Le sue opere originano da una continua commistione fra cinema documentario e arte contemporanea, e sono il risultato di una ricerca spesso tesa ad esplorare regioni poco visibili del quotidiano, realtà in cui l’artista si addentra in prima persona. I suoi lavori sono stati presentati a numerose mostre e musei nazionali ed internazionali, tra cui la Biennale di Venezia, il MAXXI di Roma, l’Hammer Museum di Los Angeles, il Guggenheim Museum di New York e la Biennale di Praga, oltre a ricevere selezioni e riconoscimenti a importanti festival quali la Mostra del Cinema di Venezia, il Festival del Cinema di Locarno, SXSW – South by Southwest di Austin, e il Festival Internazionale del Cortometraggio di Clermont-Ferrand. Atlantide è il suo primo lungometraggio di finzione..

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