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Concorso Internazionale

SHORT ON RIGHTS – A CORTO DI DIRITTI

Amnesty International Award

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Ingresso 5€

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Amnesty International Marche, nell’ambito della programmazione nazionale del progetto “Arte e diritti umani”, promuove dal 2012 il Concorso “A Corto di Diritti”, diventato dal 2019 la sezione internazionale di Corto Dorico Film Festival.

La sezione presenterà al pubblico 11 cortometraggi sui diritti umani, tra i 343 arrivati da tutto il mondo, selezionati da un comitato composto da 37 attivisti e simpatizzanti di Amnesty International provenienti anche da fuori regione. A fronte del numero record di candidature e volendo quindi dedicare più spazio al concorso e al coinvolgimento del pubblico, 6 corti verranno votati dal pubblico nella modalità Corto Slam in una matinée dedicata. Il vincitore parteciperà alla finale serale insieme ai cinque corti scelti dal comitato selezionatore. Verranno conferiti il Premio Amnesty International, il Premio Giuria Giovani Amnesty International e il Premio del Pubblico.

I corti di questa edizione mettono in luce le violazioni dei diritti umani del presente e del passato: nuovi e vecchi confini, rotte migratorie, l’esperienza della marginalità come conseguenza di politiche discriminatorie contro le persone per motivi razziali, etnici e in relazione al genere, all’identità e all’orientamento sessuale. A questi si aggiungono i diritti economici e sociali, col ritorno a forme di schiavitù nel lavoro che colpiscono persone già soggette a discriminazioni e mettono a rischio i diritti riproduttivi e la vita delle donne. La tortura continua ad essere praticata dalle forze dell’ordine come strumento di persuasione e dissuasione in luoghi non distanti da noi.

Il Premio sarà assegnato dalla Giuria di Qualità, composta da Ginella Vocca (Presidente MedFilm Festival Roma), Riccardo Noury (Portavoce Amnesty International Italia), Laura Petruccioli (Referente Progetto Arte e Diritti Umani di Amnesty International Italia) e da un delegato del gruppo Amnesty Ancona, all’opera che ha affrontato con maggiore efficacia e sensibilità artistica le tematiche dei diritti dell’uomo e le campagne di AI. Al fianco della Giuria di Qualità, anche quest’anno la Giuria Giovani, costituita da studenti delle scuole superiori della città coordinati dai loro insegnanti, che dopo un percorso formativo sul cinema e i diritti umani sceglieranno il film con maggiore impatto sulle generazioni di domani. Infine il pubblico potrà votare il suo corto preferito sul tema dei diritti umani assegnando il Premio del Pubblico.

Giuria:
Riccardo Noury, Laura Petruccioli, Ginella Vocca, e un delegato del gruppo Amnesty Ancona

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5.12
ore 11.00

auditorium – mole vanvitelliana

corto slam “short on rights – a corto di diritti”

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Store Policy di Sarah Arnold

Francia | Anno 2020 | Durata 16’58’’

Lea inizia a lavorare come cassiera in una grande catena di supermercati. Di fronte alla violenza di un ambiente di lavoro freddo e asettico, Lea sarà costretta a prendere una posizione.

Sarah Arnold è una regista Italo-Svizzera che vive a Parigi. Laureata alla scuola di cinema ESAV di Tolosa, il suo primo cortometraggio “The Quartet” vince il premio della giuria al Torino Film Festival 2010. Seguono i corti “Totems” (2015) e “Fabula Rasa” (2018), entrambi premiati al Festival di Locarno. I suoi film esplorano i temi della responsabilità politica e del rapporto tra gli individui e il loro ambiente. Attualmente sta lavorando alla scrittura del suo primo lungometraggio.

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Memories of Crossing di Alberto Segre

Francia | Anno 2020 | Durata 20’53″

Diana Dumitrescu, campionessa di ginnastica rumena, è stata allenata per superare le prove più dure e riuscire nelle figure più pericolose.

Alberto Segre, dopo la laurea in economia all’Università di Torino, si trasferisce a Parigi dove frequenta diversi corsi di scrittura e regia, per poi girare nel 2008 il suo primo cortometraggio. I suoi film sono stati selezionati in numerosi festival nazionali e internazionali tra cui Roma, Torino, Rennes, Barcellona, New York, Cleveland.
Attualmente Alberto sta sviluppando il suo primo lungometraggio di fiction “Marathon”, una storia d’amore e di tenebra tra la Francia e l’Algeria.

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We Will Be the Greatest di Jelena Vujović

Svizzera | Anno 2021 | Durata 19’54’’

Kosovo, 1998: Quando Dunja, giovane donna serba, scopre di essere incinta, decide di scappare in Svizzera dalla zia. Amir, il suo fidanzato segreto, le promette di seguirla il prima possibile.

Jelena Vujović è nata nel 1992 a Zurigo, dove si laurea nel 2020 in Cinema all’Università delle Arti. Nel 2018 ha trascorso un semestre in Serbia, studiando presso la Facoltà di Arti Drammatiche di Belgrado. I suoi interessi principali sono la regia, la sceneggiatura e il montaggio.

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Belarusian di Óscar Enríquez

Messico | Anno 2021 | Durata 22’01’’

Nelle viscere del Messico, Marina, una giovane ragazza accusata di essere complice di un dirottatore, è stata rapita dagli agenti della Polizia Federale durante un raid. La sua resistenza viene messa alla prova quando si rifiuta di collaborare agli interrogatori dei soldati, in un’esibizione viscerale di violenza, dolore e secrezioni corporee. Marina evoca la poesia come unica possibilità per aggrapparsi alla vita, fino a quando un comandante donna dal fascino seducente arriva a prendere il controllo dell’operazione.

Óscar Enríquez si laurea in architettura all’ISAD di Chiuhahua, Messico, nel 2009. Successivamente diventa membro della prima generazione di allievi del Laboratorio Cinematografico di Mantarraya Producciones, da cui si diploma con “Mila”, cortometraggio che ottiene una Menzione Speciale al 13° Morelia International Film Festival. Realizza diversi lavori su commissione per Protovecka, tra cui l’opera “Riesgo”. Collabora poi come coordinatore di produzione al film “Nuestro tiempo” di Carlos Reygadas, presentato in anteprima alla 75° Mostra Internazionale d’Arte Cinematografica di Venezia. Nel 2019 prende parte al film collettivo “Liminal”, diretto assieme a Philippe Grandrieux e Lav Diaz. “Belarusian” è il suo lavoro più recente.

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Burned di Fatemeh Mohammadi

Iran | Anno 2020 | Durata 14’21’’

Ogni notte, per guadagnarsi da vivere, Hafeez attende di sentire gli spari provenire dal confine con l’Afghanistan per recarsi lì e rovistare tra gli effetti personali degli immigrati uccisi. Ma una di quelle notti, in mezzo ai resti dell’ultima carneficina, nota una giovane ragazza e il suo bambino che si nascondono fra i corpi.

Fatemeh Mohammadi nasce nel 1982 in Iran, dove si laurea in regia cinematografica e dove tuttora insegna arti teatrali e drammaturgia presso diverse scuole superiori. Dirige nel 2018 il suo primo cortometraggio, “Oblivion”, selezionato in diversi festival internazionali. “Burned” è il suo secondo e più recente cortometraggio.

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7th of August di Michał Bolland

Polonia | Anno 2020 | Durata 29’49’’

Uno tsunami di omofobia ha travolto la Polonia nel 2020. Vilipesa dal partito politico al potere, la comunità LGBT è diventata il bersaglio di un’intensa campagna denigratoria sostenuta dalla chiesa e dai media pubblici nazionali. Il 7 agosto, la comunità ha manifestato per le strade di Varsavia, e il potere della solidarietà arcobaleno si è scontrato con la brutale aggressione della polizia, che ha portato all’arresto di 48 dei partecipanti alla protesta. Partendo dalle loro storie, ripercorriamo la situazione del movimento LGBT polacco e ci chiediamo: può il 7 agosto aver risvegliato la “rabbia queer” in Polonia?

Michał Bolland, dopo una lunga gavetta nei video musicali e nella pubblicità, tra Varsavia e Londra, debutta alla regia di finzione proprio con il corto documentario “7th Of August”, presentato all’International Watch Docs Film Festival and ampiamente dibattuto dalla critica nazionale e internazionale. La sua varietà di opere deriva da una moltitudine di esperienze di vita e di viaggi, che gli consentono di creare opere altamente cinematiche ed emotivamente coinvolgenti. Lo stile contemporaneo e narrativo, così come la cinematografia sensibile, gli permettono di creare mondi intimi con personaggi pieni di onestà.

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10.12
ore 21.15

auditorium – mole vanvitelliana

short on rights – a corto di diritti
Finale

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The Kicksled Choir di Torfinn Iversen

Norvegia | Anno 2020 | Durata 17’58’’

Gabriel, 10 anni, ama cantare e nutre il desiderio di entrare a far parte del coro del paese: un gruppo che si muove in slitta attraverso il paesaggio innevato della Norvegia settentrionale ed è noto per la sua gentilezza e carità verso i rifugiati del villaggio. Ma quando il padre di Gabriel ha una lite con uno dei rifugiati locali, il tentativo di Gabriel di unirsi al “Kicksled Choir” si complicherà non poco.

Torfinn Iversen nasce a Sortland, in Norvergia, nel 1985. Consegue la laurea in Cultura Visiva (film e televisione) al Lillehammer University College e un master presso il Nordland College of Art and Film. Nel 2009 partecipa al Talent Campus della Berlinale e il suo cortometraggio “Levi’s Horse” viene selezionato sempre a Berlino nella sezione Generation dell’edizione 2012 del Festival, dove torna anche nel 2017 con il lungometraggio “Oskar’s Amerika”. Il suo cortometraggio “Bog Hole” (2018) è presentato in numerosi festival, quali Palm Springs Int’l Film Festival, Sao Paulo International Short Film Festival, Oberhausen Short Film Festival e Giffoni Film Festival, e ottiene una nomination come Miglior Cortometraggio all’Amanda National Film Award. “The Kicksled Choir” è stato inserito nella shortlist per Best Live Action Short Film agli Oscar 2020

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God’s Daughter Dances di Sungbin Byun

Corea del Sud | Anno 2020 | Durata 24’53″

Shin-mi, ballerina transgender, riceve una chiamata dal Dipartimento del Personale Militare coreano per presentarsi alla visita del servizio militare. Dopo essersi preparata a dovere, Shin-mi si dirige verso la sede del Dipartimento.

Nato nel 1991, Sungbin Byun studia Film, TV e Multimedia e Filosofia Orientale alla Sungkyunkwan University. Il suo cortometraggio “Horn” (2014) è presentato al Busan International Film Festival, così come “The Chicken of Wuzuh” (2016), quest’ultimo anche vincitore del Golden Reel Award all’Asian Pacific Film Festival. “Hands and Wings”, realizzato nel 2018, vince il premio come miglior cortometraggio al Tel Aviv LGBT Film Festival. “God’s Daughter Dances”, suo lavoro più recente, è presentato in concorso al Festival Internazionale del Cortometraggio di Clermont Ferrand, dove si aggiudica il Premio del Pubblico

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Near Our Border di Martina Troxler

Germania | Anno 2021 | Durata 21’36’’

Un agricoltore racconta della violenza prolungata che ha modo di osservare al confine bosniaco-croato, vicino al quale risiede. Ahmad e la sua famiglia cercano invece quotidianamente di attraversare quel confine, dove sono sottoposti a brutali attacchi e repressioni illegali da parte della polizia di frontiera croata.

Martina Troxler cresce in Svizzera e studia scienze dei media, storia dell’arte e cinema, prima a Zurigo e poi a Berlino. Muove i suoi primi passi sul set come assistente di produzione, per poi specializzarsi da freelance nei campi della videoarte, della creazione di contenuti audiovisivi su commissione e, successivamente, della regia cinematografica. È fondatrice della produzione Soohm Studio. “Near Our Border” è il suo documentario più recente.

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Masha di Krzysztof Chodorowski

Polonia | Anno 2020 | Durata 12’37’’

Vera, una donna ucraina che lavora illegalmente in una fabbrica polacca, tenta di aiutare l’amica Masha, vittima di un incidente sul lavoro.

Krzysztof Chodorowski, regista e attore, nasce a Cracovia nel 1992 e si diploma alla AST National Academy of Theatre Arts. È successivamente ammesso al corso di regia della Scuola di Cinema di Varsavia, dove attualmente frequenta il terzo anno. Le sue esperienze comprendono collaborazioni con artisti noti a livello nazionale e internazionale quali Piotr Trzaskalski, Pawel Edelman, Slawomir Fabicki e Bartosz Konopka. È autore dei corti “Motorcycle” (2019) e “The Sower” (2020). “Masha” è il suo terzo cortometraggio

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US MX di Joseph O. Hooten

USA | Anno 2020 | Durata 15’37’’

In un futuro non troppo lontano, Leah e sua figlia Ariel sono impegnate in una frenetica corsa contro il tempo per varcare il confine tra Stati Uniti e Messico prima che sopraggiunga l’alba. Gli agenti di polizia le tampinano senza sosta e si fanno via via sempre più vicini. Ma in quale direzione stanno davvero scappando?

Joseph O. Hooten, sceneggiatore e regista, cresce nel Sud-Est degli Stati Uniti. Nel 2015 si laurea presso la prestigiosa USC School of Cinematic Arts, a cui era stato ammesso grazie ad una borsa di studio. Nel 2017 dirige il corto “Crossover”, che ottiene diversi riconoscimenti internazionali. I suoi lavori trattano spesso tematiche socio-economiche in modo provocatorio. Attualmente risiede in California. “US MX” è il suo cortometraggio più recente.

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+ cortometraggio vincitore corto slam short on rights – a corto di diritti

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